If you keep eating thrusts when you are in Plough and don't know why, then read on. "Your Pflug is open!" Huh? If someone says this to you, no, the Velcro on your breeches hasn't come undone - again... It means your plough (plow for my American friends) is crappy. Plough - Posta Breva, whatever you want to call it - is one of the best guards in Longsword. When your hands are safely tucked in, it is one of the few guards that doesn't expose your hands to a hand snipe, gets yo

"[This] Is actually allocated to the high guards. It is only used in the bind after you have come under your opponent’s sword. You should refrain from moving into this guard for as long as you see your opponent’s point and blade still in front of you, as you will not be safe from anything [in front of you] in this [guard]. However, as soon as you come under their sword, then this is one of the most exemplary guards, and you use it thusly:" Play 1 "When you have now come under

Everything fenced from this guard can more readily be fenced form other guards, but Meyer wanted to illustrate a few tricks... Play 1 # You Opponent 1 Right change guard Longpoint 2 Strike up from change guard with false edge 3 times 3 Hit from the right side with the flat to their left ear Move steeply upward, i.e. to parry 4 Release your left hand from the pommel and let your blade snap around in one hand upward from below toward their right. Set the front point on their ch

Mittelhut Meyer says he wasn't going to include this guard in the longsword section, but he has included it because no other guard can teach the roses. He doesn't explicitly say what the 'roses' are, but the best explanation I've seen is that it is basically the act of circling your opponent's blade, either below or sometimes above. Often this seems to be done as a sort of Krumphau from one side then a krumphau from the other back to your starting position, but it could pro

Hanging point In the onset, make three upward strikes with the short edge from the left, and on the third, from longpoint turn into a...

Ochs From the previous taught sequences, you should now understand how to build your attacks and sequences against the opponent’s four openings, using techniques like winding, slicing, dropping, circling, or disengaging. These moves aren’t limited to specific guards—they apply to most stances. Since the Ox guard is especially strong for attacking, here’s a short guide on how to strike first (the Before ) and pressure your opponent into reacting. You have four main attack line

Play 1: You take the vor # You Opponent 1 Move into right wrath guard 2 Do nothing 3 Step and cut Zorn from right to left ear 4 Parry left 5 Cut unterhau from left 6 Parry right, not lift arms to strike 7 Slice their arms, then give them a good shove backwards, then cut at the closest opening 8 Parry and recover, attempt to cut back at opponent 9 Set aside, slice off, or slice their arms. Shove them off and cut at their body again... 10 Etc.* *Basically, alternate between sli

The stances (or guards) in fencing aren’t meant to be held for long. They exist mainly to help you understand how to respond when you're preparing to strike. When you lift your sword for a High Cut, you reach a position called the Day—the highest point in your sword’s path. If your opponent attacks you while you're lifting your sword, you should immediately redirect your sword from that high point to counter them. If they don’t attack, you can go ahead and finish your High Cu

This summarised chapter 10 from the 1570 'Art of combat'. Chapter 10 is where we get the Meyer's square, often used as a warm-up...

This is my current approach to using 15th-century German fencing theory. You may have a different interpretation—and indeed, the...

This post is heavily inspired (stolen?) from Jeff Tsay of Forte Swordplay. Check out his videos on his YouTube channel (which I've...

See part 1 here: Meyer's longsword 101 - Chapters 1-4.   As before, yellow text is my own, the rest is a rewrite of Meyer's 1570 book...

See part 1 here: Meyer's longsword 101 - Chapters 1-4. As before, yellow text is my own, the rest is a rewrite of Meyer's 1570 book...

Editor's note: this is a much abridged and edited/reworded version of Joachim Meyer's 1570 book. Its purpose was to a) force me to...

This is a summary of my 'bottom up' approach to i.33. I call it bottom up* because it makes a reasonable assumption about what the...

Using paper-dolls, I have created my own variations of the plays of i33. These have been formed by following the principles laid out in...

In preparation for part 9 in the i33 102 series, I went through i33 and wrote out what I thought were the key lessons on each folio. ...

This post covers the pink area of the diagram I've used the term handworks to designate actions taken from the bind, to echo a similar...

This post covers the pink part of the diagram A bind is where your sword touches (or very nearly touches) the sword of your opponent's. ...

I considered leaving this arrow out of the diagram in case it over-complicates matters. However, I want to write a post about it as I...